
Sonic Shocks recently had the opportunity to catch up with the one and only Darren Hayes. Perhaps best known for his work with Savage Garden, but now stands proud as a truly magnificent solo artist. His new album 'Secret Codes and Battleships' will be coming very soon! Check out
DarrenHayes.com for more info....
Darren: Dan, its Darren
Sonic Shocks: How are you Darren?
Darren: So sorry we’re late. I’d love to blame somebody else, but it’s just
because I won’t shut up. But now I won’t shut up for you (laughs)
Sonic Shocks: To be honest, only the most interesting people ever run over
don’t they...
Darren: That’s such a nice thing to say
Sonic Shocks: Had you been on time, I would have been concerned
Darren: (laughs)
Sonic Shocks: Now, I’d like to start chronologically and discuss pre-music
careers, is that ok?
Darren: Go for it!
Sonic Shocks: Is it correct that you were a pre-school teacher? And did a bit
of journalism?
Darren: True and true, yeah. Truthfully, I was always going to be a signer. I
was singing from about the age five. I feel like I was really meant to do this
and I went through all those clichés musicians and artists talk about. They
always talk about being leads in musicals, I was a theatrical kid and I was
directing my own version of Michael Jackson’s Thriller when I was six. I was
always that person winning theatre bursaries and got sent off to theatre camps
and the such like. My teachers were very supportive and nurturing and said
that’s what I would end up doing. My father on the other hand was not very
supportive at all and because I did quite well at school and always got good
grades, he was mortified when I wanted to go off and get into performance. So,
it was kind of one of those things where I went to university to please my old
man. In the meantime I was in bands and that was eventually how I met Daniel
Jones, the other guy in Savage Garden. But when we did eventually get a record
deal, I was still at University studying. I did a semester of journalism and
then quit because you had to do a grammar test and I found that pretty dull
(laughs). So I auditioned to be an actor and go to this theatre course.
Something like six people only could get in, for a year. My father told me that
if I did it, I’d end up in the gutter. So, cutting a long story short, I did a
teaching course to shut him up.
Sonic Shocks: Right, ok. Then you proved him wrong...
Darren: Well yeah. The thing is, I never really finished that degree because I
left to make an album. The trouble was, it sat on the shelf for about a year
and I had to crawl back to Brisbane and because I had done three years at
University, it qualified me to a substitute teacher. So I did that for a year.
I was a kindergarten teacher for a year whilst the album sat on the shelf.
Sonic Shocks: What is really interesting, at least to me, is that I do music
journalism, as well as some work as an early year’s teacher.
I feel like I'm the next Darren Hayes, what do you think?
Darren: I tell you what; it’s a nice day when you go into work. I had a six
month contract and I went into school to see my kids and even though I was more
of a musical clown than a teacher, I loved it. I actually quit my job the day
all the kids came in and said ‘I saw your music video on TV’. I thought to
myself ‘success, success’. I adore kids and
I feel pretty passionately about education and that we don’t pay teachers
enough money. I think that if you want to change the world, give a child a
great start in education and a hero to believe in. All my hero’s were teachers.
My music teacher especially, but all of my hero’s were teachers.
Sonic Shocks: Obviously, I may need to knock on your door for a few vocal
lessons first if you don’t mind? Of course, I don’t want you to feel that I
will be a huge threat to your career
Darren: (laughs) You’re probably a better teacher though!
Sonic Shocks: You responded to an ad in
a local paper for a lead singer to join Savage Garden. Is that still a place
where musicians find each other or has the internet taken that aspect away?
Darren: You know what; I think it has just changed. I don’t know what musicians
use now, maybe MySpace or Facebook. It’s the public side of music. I do think
that if you look at artists like Claire Maguire. She began by promoting herself
on MySpace and approaching producers. In some ways I suppose it makes it
easier, but you are right, as people now bombard everybody. It all becomes a little
bit like a hard sell. Back then it was like putting a message in a bottle. I
read this one ‘wanted’ ad and it was like a scene from a movie. It was the
first audition I ever went to for a band and truthfully, we were a terrible
band. First of all they sort of fibbed to me, as they said they were on the
verge of signing a major publishing contract and all they needed was a lead
singer. The publishing contract of course never materialised and we became a
pretty dodgy covers band called Red Edge.
But, Daniel Jones was one of those members and we connected. We had the
same ambitions and we formed a bit of a mutiny and left to make our own team, I
guess.
Sonic Shocks: I am a firm believer in everything happening for a reason. It all
seemed to come together.
Darren: I think you’re right. At that time, it was quite magical for me. It was
the same feeling you might have when you propose to somebody. Having your life
flash before your eyes (laughs). When I left my first audition, my whole world
changed in a nano second. It was terrifying, but I knew.
Sonic Shocks: I must also thank you actually because the song ‘Truly Madly
Deeply’ and my ability to recite the lyrics to ‘I Want You’ without reading
them secured me my first girlfriend. Presumably fans from all over the world
tell you how certain songs have affected them, or indeed saved them from life
situations – is that a describable feeling?
Darren: It is an incredible honour and it is very humbling. It is very hard
actually to respond to that, because I am a fan, just like you them. It is very
difficult to accept that honour without coming off as egotistical. What I try
to do instead is take it as a reassurance that I am doing something right.
Music has a special place for all of us. It’s one of those things like scent
memory, like if you smell a perfume or something cooking in the kitchen, it
transports you back to a moment in time. Very few things have that apart from
music. Music can make you burst into tears, it can make you stand up for
something you believe in, it can release tension and help you get a girlfriend
(laughs) or get over a break up. To be invited into people’s lives in that way
is truly an incredible honour. I think the only way to understand how to do
that is to not try. All of those records that people have a connection to, I had
a connection first. I wrote them truthfully, for me. That kind of sincerity is
something we should demand from our music. Of course, sometimes I fail
miserably, but that is where I start from, for me.
Sonic Shocks: So, during the interim period between Savage Garden and stepping
forward as a solo artist, did you used to write music for so called ‘popstars’
coming off of various TV ‘talent’ shows?
Darren: I’ve never tried to do that until recently. I actually did it to get my
toe back into the water. I signed a deal with Sony ATV and was introduced to
different writers, who I would never have met otherwise. It was actually Simon
Cowell’s label Syco who said ‘we really love your song writing. Would you like
to write for other people?’ Now, what that process showed me that I am an
artist. However, I do find it really difficult to give my songs up adoption. I now
know instantly when I write a song, if it is for me, or someone else. I’ve yet
to have success with other people having hits with my records actually and I suspect
it is because I have such difficulty in letting my songs go. I pour so much of
myself into my demos and the feedback I often get is ‘this is such a beautiful
song. It sounds like a Darren Hayes song’. Sometimes I hit notes and sing in
such a way that not everybody can sing it that way. I don’t think that my songs
are the easiest to cover for other people really. They are very uniquely me.
Sonic Shocks: I suppose it is similar to when Movie scripts are written and it’s
often suggested that certain parts were perfect for specific actors or
actresses. Of course, where music is concerned, I imagine you, as a writer
understands the mood, tone and feeling behind the lyrics.
Darren: Yeah, but it was a great process, because I met a lot of people I worked
on the album with. I remember calling up my management company and saying
(whispers) I’ve written this great pop song, do you think this is my sound? Am
I crazy? And they responded by saying ‘We think you’re crazy for doubting it!’
It was a really great confidence booster for me.
Sonic Shocks: Now, you’ve flirted with releases over the past few years, but
are you calling ‘Secret Codes and Battleships’ the official ‘return’ to pop
music?
Darren: I think everyone is. I haven’t said that myself, because I think that’s
a lot of pressure. What I can say is that this is a proper, ambitious pop album.
It is me certainly rolling up my sleeves. I started off with the opportunity to
write some very accessible records, records that belonged on the radio and made
sense. None of it was by design and that was what I was I tended to good at. I
had enjoyed make less commercial and more experimental records for various
records. But truthfully, I’ve always had a fear of trying to succeed. It’s kind
of easy to be strange, because you can break all the rules. Now, with this
album it’s different. One thing I can never be accused of is repeating myself.
My hair is never the same; my music is never the same. This is like a master
class of everything I have learned over the years. It reminds me of the first
Savage Garden album, because of the scope and how disciplined I was in writing
songs that might have the opportunity to survive one hundred years. If I’ve
written on of those in my career, then I’ve won. I think one of those is ‘Truly,
Madly, Deeply’ and I think of those might exist on this record.
Sonic Shocks: Yes, I am hopeful that one of those songs can secure me another
girlfriend once again.
Darren: (laughs) You know, if I can’t on this record, then the order has been
placed. I’ve sent it off to head office and we’ll see what we can do for you.
Sonic Shocks: (laughs)
Sonic Shocks: Being a Star Wars fan, you must surely link some Darren Hayes
based Battleship merchandise out of this?
Darren: That is a really good question actually. Wow, you know what I might do.
If you look at my website, we’ve just revealed the album cover. It has taken a
year to make this cover and it has been inspired by a lot of things, like
Fleetwood Mac, Sgt. Peppers, Dangerous by Michael Jackson. It is completely
flooded with imagery. I guess I look like a knight in the middle. But, perhaps
there is a fan out there who can recreate it with a Star Wars theme?
Sonic Shocks: I think that would be incredible
Darren: (laughs)
Sonic Shocks: How about Darren Hayes written in the Star Wars font, you in some
kind of suit. That would be perfect. Maybe even adapt it for a stage show? You
can have that one on me, that’s ok.
Darren: (laughs) Any chance I get to stick Star Wars into my career, I’ve done
it. If you look at my stage or pictures, they’re always a bit Jedi like. But
that’s between you and I, right? (laughs)
Sonic Shocks: I’ll keep this quiet, don’t worry.
Sonic Shocks: You’re doing a ‘secret tour’ in Australia, even though it’s not
as secret as the name might suggest. Are you doing anything equally secretive
in the UK?
Darren: Yes, there are four dates in the UK this October. London, Liverpool,
Birmingham and Glasgow. I'm working once again with Willie Williams – the designer
for U2. He’s done all of my tours actually. It’s a small, intimate tour and it’s
meant to be a development, to see how the songs sound live and future ideas.
Then I'm back off to Australia before coming back to do a New Year’s show in
Manchester.
Sonic Shocks: Something a little off-topic, do you believe in being with the
one you love on New Years? Will he be there?
Darren: I don’t think it matters to be honest. I am usually doing a show New
Years Eve actually. I absolutely hate New Years Eve and the only time I have a
good one is when I am doing a show and I'm with my fans. We do it every two
years and we have a blast. It’s just a blast. I like to start the New Year
fresh faced and not hungover, but I'm not really a fan of New Years. Actually, I'm
not really a fan of Valentine’s Day either, or any day that Hallmark tells me I
should buy cards for the occasion.
Sonic Shocks: To wrap up what has been a fantastic chat, please explain why you
have chosen the UK as your home rather than sunny, cheerful, upbeat, spacious
Australia?
Darren: Love. I came here to work on the record in 2004 and then Richard (my
partner) and I have just celebrated our fifth anniversary of our civil
partnership and along with getting the world’s greatest guy, I also got a
British passport. We just hop between Australia and the UK. Obviously I'm based
here and our dog is here. Until we depart for heavenly pastures (laughs), I couldn’t
even imagine leaving him, my dog I'm talking about. So, yeah, you know what. I’ve
always been nomadic and I think Australian’s are nomadic. We are born with a
backpack grafted to our backs and we like to explore. I go home so much, I'm lucky.
If you look at my skin and you look at the cover of my album, I'm certainly not
a bronzed Aussie. Your weather suits me just right.
Sonic Shocks: I am glad you are the only person in the country who loves our
weather (laughs)
Darren: You always want what you can’t have. We have two seasons in Australia,
hot or not. What is great here, as an artist you just never know what another
day might bring. I love it when the leaves turn and when the first chill of Winter
comes. I love it when the first flowers of Spring come up. See, I didn’t have
any of that as a kid growing up. Perhaps I'm still in the honeymoon phase
(laughs). Ask me again in a couple of years and see if I still feel the same.
Sonic Shocks: I think you should apply to read the weather, because with those kinds
of phrases, people would be a lot more upbeat listening to it. So, if it doesn’t
work out with music, head over to the BBC and secure yourselves a slot.
Darren: (laughs) Maybe I will if it doesn’t pan out!
Sonic Shocks: Darren, it has been a real pleasure and thank you for taking the
time to speak with me today.
Darren: Thank you for the smart questions, it really makes or breaks us. You’ve
been lovely.
Sonic Shocks: Best of luck with the album. I know it’s going to bring you back
and I look forward to seeing you live with some kind of Battleship arrangement.
Darren: (laughs) Just you wait!